Jonathan Trayte turns the American landscape into fantastical furniture

Jonathan Trayte turns the American landscape into fantastical furniture

Consumer culture and the natural world collide in this series of sculptural furniture pieces, created by British artist Jonathan Trayte following a road trip across the USA.

Set to feature in an upcoming exhibition at Friedman Benda gallery in New York, Trayte‘s one-off pieces incorporate giant plant forms, vivid colours, and a clash of organic and artificial materials.

Atomic Double by Jonathan Trayte
Atomic Double is a piece that clearly references the natural world

The artist found inspiration for many of these pieces following a 2,000-mile trip that he and his wife took through the western states of America.

He was fascinated by the natural landscape forms he found there but was equally captivated by manufactured objects, from product packaging to advertising graphics.

Grass Green Settee by Jonathan Trayte
Grass Green Settee pairs animal hide with furry upholstery, neon plastic and marble

This clash of contrasts materialises in his work in the form of unusual juxtapositions, whether it’s a cowhide sitting alongside neon plastic, or pendant lights embedded in a nest of raffia. “It was just so rich, visually and culturally,” Trayte told Dezeen. “I feel like it’s going to have a legacy that lasts quite a while, in terms of how the work develops and what I make in the future too.”

Desert Lights by Jonathan Trayte
Rafia was used to create the Desert Lights

Trayte has made a wide variety of pieces for the exhibition, set to be titled MelonMelonTangerine. He describes the process as creating “a cast of characters”. “Quite often I will work on a group of things at the same time, and they come together like a weird bunch of misfits,” he said.

Sundown Swing by Jonathan Trayte
Sundown Swing is a swing seat supported by a serpentine palm tree

By far the largest and most striking piece he has created is Sundown Swing, a swing bench attached to an abstract palm tree form, with a serpentine trunk. “I wanted to make something outrageous,” said Trayte, citing the late Austrian artist Franz West as an inspiration. Trayte chose to give the tree black rubber leaves so that the piece could live outside in the future, but these elements also give the design a dark character. “You can only use black rubber outside, because of the UV exposure,” he said. “So it looks a bit more menacing than it was meant to be. It’s scary, but it’s still fun and ridiculous.”

Black Dakota by Jonathan Trayte
Black Dakota is a plant-like floor lamp with brass leaves

Some of the pieces are very blatant in their references to nature, such as the Atomic Double bench, the Black Dakota floor lamp and the Velvet Solar Star ceiling lights. Others are more subtle in the way they bring together different colours, textures and forms, including the nest-like Jelly Baby seat and the furry orange chaise longue, Kula Sour.

Kula Sour by Jonathan Trayte
Kula Sour is a multifunctional piece combining a chaise longue, a lamp, a table and an icebox

“I hope these pieces transport the viewer to fantastical places,” said Trayte. “I wanted Kula Sour, for example, to look magical in its colour and its textures. Hopefully, the end-user will live with this, and it will transport them to wild landscapes and colourful Hawaiian Islands.”

Jelly Baby by Jonathan Trayte
Jelly Baby has a nest-like form

Trayte is very open about his intention to create function – and often multiple functions – in all of his works, even though he sees himself as a sculptor, not a furniture designer. This tendency began with a cafe he created back in 2016, in collaboration with fashion designer Kit Neale. Trayte found it liberating to create works that could actually be used, not just sit in a gallery.

Orange Foam, Cola Moon by Jonathan Trayte
Horse creates fringes on the Orange Foam, Cola Moon lighting piece

Since then he has incorporated furniture in many pieces, such as The Spectacle, a seating composition he created for London’s Sculpture in the City series in 2016, and the first collection of works he presented at Friedman Benda, in 2018.

“I want to be as ambitious as possible, but also to make pieces that will find homes and get used,” he said.